Why Stanley Rother Still Feels Like the Priest Next Door

Why Stanley Rother Still Feels Like the Priest Next Door

Pastor Benjamin

I always get a little nervous when we talk about martyrs as if they dropped out of heaven already glowing.

They didn't. Blessed Stanley Rother didn't either. That's the part of this new documentary, American Martyr: The Stanley Rother Story, that catches me. Yes, he gave his life in Guatemala. Yes, that's heroic beyond anything most of us can imagine without getting a lump in our throat. But the story, as María Ruiz Scaperlanda tells it, doesn't begin with a dramatic ending. It begins with an ordinary man from Oklahoma trying to keep saying yes.

That matters to me more than the movie poster version of holiness.

I've met plenty of Catholics who assume sainthood belongs to people with unusual spiritual wiring, people who never struggled in school, never doubted themselves, never had to circle back after falling flat on their face. Then along comes Stanley Rother, who flunked first-year theology and kept going because he still believed God was calling him. I love that detail. Not in a sentimental way. I love it because it ruins the fantasy that vocation is only for the polished.

Frankly, some of us built our whole self-image around being competent. Then God calls us somewhere that exposes all the loose screws.

Holiness usually looks boring at first

Scaperlanda's point, at least from what's described here, is that God blessed Rother's yes again and again. Not one giant yes. Many of them. Parish work in Oklahoma. A different seminary after failure. Learning Tz'utujil. Living among the people he served, not hovering over them like some imported expert with clean shoes.

That's where I start paying attention.

Because most of us won't be asked for the final yes of martyrdom. We will be asked for Tuesday's yes. The unphotogenic one. The one nobody makes a documentary about because it's just a priest visiting another hospital room, or a mother making dinner while carrying grief she hasn't named yet, or a man getting up early to care for his aging father before work.

I think Catholics sometimes get distracted by spiritual fireworks. We like the extraordinary because it feels safely far away. If holiness means dying for the faith in Guatemala, then I can admire it without changing much about how I speak to my spouse tonight or whether I keep my word tomorrow morning.

That probably sounds sharper than I mean it, but there it is.

I remember once talking with a parishioner after Mass who was frustrated that her life felt small. She wasn't doing anything grand for God, she said. She was caring for her grandchildren, driving people to appointments, praying tired prayers in the kitchen before bed. I wanted to tell her, gently and maybe with less coffee in my bloodstream than I had that day, that this is exactly where many saints are made. Not on stages. In routines.

Rother's life seems to press on that sore spot in us.

He didn't love "the mission," he loved people

Another thing I appreciate here is how concrete his priesthood sounds. He learned the people's language. He worked alongside them. He helped with practical things like agricultural co-ops. He ate and laughed and lived among them.

Good priests know this instinctively when we're at our best. Ministry isn't loving "humanity." Humanity is easy to love because humanity doesn't call you at inconvenient times or disagree with your plans or smell faintly of diesel fuel and wet earth after a long day of work. People do.

Rother seems to have loved actual people.

And that's why his return to Guatemala hits so hard. In isolation it can sound dramatic, almost cinematic. In context, as Scaperlanda frames it, it was one more step in a pattern he'd already been living. His people were there. His family was there. So he went back even with danger hanging over everything.

I don't say that lightly. I'm not eager to romanticize anybody's death. The Church honors martyrs precisely because death is terrible and fidelity in the face of it is astonishing grace, not theatrics.

Small tangent here... years ago I tried growing tomatoes behind the rectory and managed to produce three apologetic little things that looked embarrassed to be called vegetables. Farming towns humble me for many reasons, and one of them is this: people who work close to the land usually know something about perseverance that office people forget. Planting, waiting, failing, trying again. Maybe that's partly why a priest from rural Oklahoma can feel so familiar to so many people.

A saint who doesn't make excuses for us

What struck me most in this story is Scaperlanda saying he's relatable, especially for everyday people and diocesan priests who see him as "their guy." I get that completely.

He's relatable not because his life was average in every sense, obviously it wasn't. He's relatable because holiness unfolded through ordinary obedience before it became extraordinary witness. That pattern is uncomfortable because we can't hide behind the idea that sainthood is only for rare specialists.

Rother said yes where he was first.

That's usually how God works with us too, and if I'm honest that's both consoling and annoying. Consoling because maybe my limitations don't disqualify me after all. Annoying because now I'm out of excuses.

The new film will draw people in through the word martyr. Fair enough. It's a powerful word and an even more powerful reality. But if viewers walk away noticing only how he died, they'll miss what made that death intelligible in the first place.

He belonged to God long before he died for him.

Maybe that's why this story lingers with me tonight more than most saint news does. Not because it's spectacular, though parts of it are. Because somewhere between Oklahoma parish life, failed theology exams, another yes, another assignment, another day among his people... you can see sanctity growing quietly like wheat.

Not flashy. Just faithful.

And now I'm left staring at my own little corner of vineyard soil, asking what my next yes is supposed to be.

Fuente: Get tickets: Stanley Rother’s story is more than martyrdom

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